Heritage and the Vision of Developed India
Uttar Pradesh Chief Minister Yogi Adityanath stated that preserving one’s heritage while working in any field serves as a medium to realize the vision of a developed India. He expressed these views while addressing the Dhaohar program, which was organized to mark the completion of 63 years of the Uttar Pradesh Sangeet Natak Akademi in Lucknow. The Chief Minister emphasized that cultural preservation is intrinsically linked to the broader national goal of development.
The event held in Lucknow served as a platform for the Chief Minister to reflect on the importance of cultural continuity. He noted that the act of safeguarding heritage is not limited to any specific domain but is a responsibility that spans across all sectors of professional and social life. By integrating the preservation of traditions into the national agenda, the vision of a developed India can be effectively realized. This perspective highlights the government’s focus on blending modern progress with the deep-rooted cultural identity of the nation.
Conservation of Endangered Musical Instruments
During the event, the Chief Minister lauded the efforts being made to conserve endangered musical instruments. Recalling his previous visit to the academy, he noted that preserving these rare instruments would be a significant contribution to the world of art and for future generations. He praised the budding artists for their excellent performance using these rare instruments, highlighting the importance of keeping traditional musical practices alive in the modern era.
The Chief Minister expressed satisfaction with the progress made in the conservation of rare musical tools. He emphasized that these instruments represent a vital link to the past and that their disappearance would be a loss for the artistic community. By encouraging young performers to master these instruments, the academy is ensuring that traditional sounds continue to resonate in contemporary times. The dedication shown by the artists in presenting these rare instruments was noted as a commendable effort toward cultural stewardship.
The Connection Between Music and Spirituality
Yogi Adityanath remarked that music in India has never been merely a source of entertainment. Instead, Indian intellectual tradition has viewed it as a path for the expression of the soul and the worship of the Divine. He identified Omkar as the primary mantra of spiritual practice, noting that it serves as a powerful medium for sound, from which the flow of music originates. The Chief Minister further elaborated on the connection between Lord Shiva and music, stating that the 14 Maheshwar Sutras, which emerged from Shiva’s damru, are considered the origin of the alphabet, language, and the seven notes of music. He highlighted that both Sanskrit and Tamil are believed to have their origins in Shiva, who is revered as the deity of universal welfare.
The discourse underscored the philosophical roots of Indian music, moving beyond aesthetic appeal to spiritual depth. By connecting the origins of language and musical notes to the divine, the Chief Minister provided a framework for understanding the profound significance of Indian classical traditions. He pointed out that the reverence for Shiva, as the deity of universal welfare, acts as a unifying thread across different regions of India. Whether in the North or the South, the cultural and linguistic heritage is deeply intertwined with these spiritual origins, reinforcing the idea that music is a fundamental aspect of the Indian identity.
The gathering at the Uttar Pradesh Sangeet Natak Akademi served as a reminder of the enduring nature of these traditions. As the institution marks 63 years of service to the arts, the emphasis remains on the dual commitment of preserving the old while fostering the talents of the new generation. The Chief Minister’s address reinforced the necessity of maintaining this balance to ensure that the cultural fabric of the country remains vibrant and relevant for the future.
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Source / स्रोत: ThePrint Hindi
